Mon/Tue Jan. 4 – 5 PURPLE ROSE OF CAIRO, quiz, assign POWER POINTS
Wed-Fri Jan. 6 – 8 Power Point prep
Seven topics:
a. What it was like to go to the movies in the 20s, the 40s, the 60s.
b. The Academy Awards — how they came about, major developments, importance
c. The Golden Globes — how they came about, major developments, importance /
may wish to include commentary on current nominees
d. Types of camera shots: Camera angle – crosscutting
e. Types of camera shots: Deep focus – Focus
f. Types of camera shots: Frame – Zoom
Mon Jan. 11 Power Points presented
ASSIGNMENTS TO COME:
- Watching a Hitchcock film twice – once for the film, once hunting camera shots (Camera Bingo).
- Several intro filmmaking projects (lesson plans from the AFI)
- Screening reports of current films
- Reviews of a great film – The Godfather or Casablanca
- If I get the funding to buy the books, reading The Hunger Games and creating multimedia resources for it using our new camera knowledge.
GLOSSARY OF FILM TERMS
Introduction
A consideration of the many disciplines involved in film production gives the motion picture a much larger and more complex dimension. No longer can a film adaptation of a novel or other literary work be considered a mere visual record when so much talent is involved in such a creative effort. Just as the various tasks in film production can be broken down and analyzed individually, so can the individual elements of the film. Filmmaking, like any other art form, has its own language and vocabulary. Once that language is mastered, films can be understood at a new level.
GLOSSARY OF FILM TERMS www.AFI.edu
Camera angle: The position of the camera in relation to the subject it shows: above it, looking down (a high angle); on the same level (a straight-on angle); looking up (a low angle).
Close-up: A framing in which the scale of the object shown is relatively large. Most commonly, a person’s head is seen from the neck up, or an object fills most of the screen to emphasize its importance.
Crane shot: A shot accomplished by having the camera above the ground and moving through the air in any direction.
Crosscutting: Editing that alternates shots of two or more lines of action occurring in different places, usually simultaneously. Crosscutting is often used during a key dramatic sequence to increase tension.
Deep Focus: A use of the camera lens and lighting so that both close and distant planes are shown in sharp focus. This technique allows the filmmaker to emphasize a character or object that appears far away.
Depth of Field: The area or field between the closest and farthest planes captured by the camera, in which everything appears in sharp focus. A depth of field from five to 16 feet, for example, would mean that everything closer than five feet and farther than 16 feet would be out of focus.
Dissolve: A transition between two shots during which the first image gradually disappears while the second image gradually appears. For a moment, the two images blend in superimposition.
Establishing shot: A shot that shows the relationship among important figures, objects, characters and setting at a distance. From the establishing shot, the film then cuts to more detailed shots (often called coverage) that bring the audience closer to the characters.
Flashback: An alteration in the story order in which the plot moves back in time to show events that have taken place earlier than those already shown.
Focus: When light, people, places and objects are captured on film showing sharp outlines and distinct textures through manipulation of the camera lens. There are different types of focus, used to achieve specific effects.
Frame: The rectangular box that contains the image projected on the screen. This perimeter is one of the filmmaker’s most important tools. The frame is the window into the world of a film. Within it, each shot is composed and the edges of the frame allow the filmmaker to create a picture. Movies were first known as moving pictures, and this description is still useful when considering the important role the frame plays as a compositional device. Through the camera’s eye, the viewer is presented with images that convey the story. Within the frame, the filmmaker creates several different types of shots, which are generally characterized by the relationship between the size of the elements in the frame to each other and to the frame itself.
Long shot: A framing in which the scale of the object shown is not distant but relatively small. A standing human figure, for example, generally appears nearly the height of the screen.
Medium shot: A shot that shows human figures from the waist up.
Pan (or panning shot): A camera movement with the camera body turning to the right or left. On the screen, it produces a mobile framing, which scans horizontally. Panning shots can also emphasize movement.
Point of View (POV) shot: A shot taken with the camera placed where the character’s eyes would be to show what the character would actually see. This type of shot is usually cut in before or after a shot of the character looking at whatever the POV shot contains.
Wide angle: The use of a wide-angle lens to create a shot that captures a wide range of elements or objects on a single plane, while at the same time exaggerating the distance between foreground and background planes.
Zoom: A lens which allows the focal length—the distance between the camera and the object being filmed—to change during a single shot. The camera can zoom in by going closer to an object, or it can zoom out by pulling back from an object.
